Scribbletune can be used to generate chord progressions based on basic music theory.
Before we get into the code, here’s what we will produce in this example
Recently I came across some fundamental chord progression theory on the art of composing website and quickly learnt the basics of putting together good sounding chord progressions. I decided to convert the repetitive aspect of this process to a method in Scribbletune. The result was pretty satisfying.
The instructor, Jon Brantingham, speaks about a recipe of sorts for a good chord progression. He goes pretty in-depth and explains really well and my take on it may be mediocre at best, but the theory suggests moving along the chord degrees formed by the Tonic (T), Predominant (P) and the Dominant (D) chord degrees. You are allowed to go from left to right only T -> P (otional) -> D. From D you can move to P if you like and then again you move right. If you chose to come to the Tonic from the Dominant, then the progression is complete. The instructor has a very nice chart for the major as well as the minor scales, that can help you visualize this really well.
One other thing Jon mentioned was, great composers avoided the iii chord for a major scale and he also mentioned that using the VII° chord degree required some amount of expertise. Hence Scribbletune leaves out iii and VII° to keep things really simple.
If we consider a Major scale, then these are the scale degrees:
I ii iii IV V vi VII°
Since we have decided to leave out iii and VII°, we are left with I ii IV V vi. Out of these,
I and vi are Tonic (T)ii and IV are Predominant (P)V is Dominant (D).We will move from left to right and pick the degrees as we go along, sometimes optionally returning to P and then continuing again till we are done with at least 4 chords (later we will make the number of chords dynamic).
If we were to manually put this to use, say for the C Major scale, then this is what we have:
Going from left to right (T -> P -> D), we ll take CM as the tonic, then pick Dm, GM and then back to CM (we need to come back to the tonic we picked), thus we have CM, Dm, GM, CM. This chord progression will sound good! This is because we stuck to the rules. Let’s take one more example, We ll take Am this time as the Tonic, and we’ ll just skip the Predominant entirely and directly pick GM and then come back to the Tonic, and we ll pick Am. Thus we have Am, GM, Am. This too will sound fine as a progression :)
With this set of rules to follow, Scribbletune provides a method that ll help us do this instantly and yet throw out a different progression each time with the guarantee that it WILL sound good ;) Needless to say, it is not limited to the C Major scale as it can throw out chord progressions for any major or minor scale. AFAIK functional harmony does not apply to the modes, hence this method doesnt work in case of any of the modes other than Ionian and Aeolian.
const scribble = require('scribbletune');
console.log(scribble.progression('M')); // outputs an array, e.g. ['I', 'ii', 'iii', 'V']
We can use Scribbletune’s getChordsByProgression method to generate the chords from this progression:
const scribble = require('scribbletune');
const majorChordProgression = scribble.progression('M').join(' ');
console.log(scribble.getChordsByProgression('C4 major', majorChordProgression)); // outputs something like 'Am-4 Dm-4 Dm-4 GM-4'
Taking this one step ahead, we can now use the chords we generate along with Scribbletune’s arp method and patterns with the R character to create nice sounding arpeggios!
const scribble = require('scribbletune');
const progMinor = progression('m').join(' ');
const c = scribble.clip({
notes: 'D3',
pattern: '[x-RR]'.repeat(16), // R will play notes from our progression
randomNotes: scribble.arp({
chords: scribble.getChordsByProgression('D4 minor', progMinor), // We are using the `m` method we generated earlier from our factory method
count: 4,
order: '1032',
}),
});
scribble.midi(c, 'prog.mid');
Click here to download the MIDI file we generated. And finally here is the rendered Aiff file using a really nice but lesser known synth called Loom which when purchased as a bundle cost me under $13 on pluginboutique.com. I also slapped on an instance of Ozone on top of it with the default output of Master Assistant. Here’s how it sounds: